Oil On Canvas, Real Flavor of Old Masters

All Johann Barthold Jongkind 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
2076  
In Holland ; Boats near the Mill, Johann Barthold Jongkind
 
 In Holland ; Boats near the Mill   1868 Musee d'Orsay, Paris
75046  
Norwegian Naval Ship Leaving the Port of Honfleur, Johann Barthold Jongkind
 
 Norwegian Naval Ship Leaving the Port of Honfleur   Norwegian Naval Ship Leaving the Port of Honfleur Date 1865 cyf
43334  
The Boulevard de Port Royal,Paris, Johann Barthold Jongkind
 
 The Boulevard de Port Royal,Paris   mk170 1877 Oil on canvas 28x45cm
40739  
The Maas at Maassluis, Johann Barthold Jongkind
 
 The Maas at Maassluis   mk156 1866 Oil on canvas 33x47cm
2077  
The Seine and Notre Dame in Paris, Johann Barthold Jongkind
 
 The Seine and Notre Dame in Paris   1864 Musee d'Orsay, Paris
31076  
Vue d'Overshie, Johann Barthold Jongkind
 
 Vue d'Overshie   mk71 Toile H.0.43 L.0.57 Douai,Musee de la Chartreuse
71176  
willebroek canal, Johann Barthold Jongkind
 
 willebroek canal   mk290 bnussls 1866 watercolor 9x15in private collection

Johann Barthold Jongkind
1819-1891 Dutch Johann Barthold Jongkind Gallery was a Dutch painter and printmaker regarded as a forerunner of Impressionism who influenced Claude Monet. Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague, in 1846 he moved to the Montmartre quarter of Paris, France where he studied under Eugene Isabey and Francois-Edouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Emile Zola. Jongkind was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860. Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of his paintings began to show glimpses of the Impressionist style to come. In 1862 he befriended the young Claude Monet who later referred to Jongkind as the "master." The following year Jongkind exhibited at the first Salon des Refus??s. Despite several successes, in another of his down periods the Impressionist group did not accept his work for their first exhibition in 1874. In 1878 with his wife, painter of nude people Josephine Fesser, Jongkind moved to live in the small town of La Cote-Saint-Andre near Grenoble in the Isere departement in the southeast of France where he died in 1891. He is buried there in the local cemetery.



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